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µù¤@¡G»P¨ä¥L·P©x¬Û¤ñ¡A¶åı¨ã¦³Àu¶Õ¡A¦]¬°¥¦»P¤j¸£¤§Ãä½t¨t²Îª½±µ¬ÛÃö¡A¦Ó¤j¸£Ãä½t¨t²Î¤S»P§ö¤¯®Ö¡]±¡ºü¤¤¤ß¡^¤Î®ü°¨Åé¡]°O¾Ð¤¤¤ß¡^¬Û³s¡CÁöµM¯A¤Î¨ä¥L·P©x¤§°T®§¦³¤@±ø¨±°j¸ô½u¡A¦]¦¹»Ý­n¦³·NÃѤ§µû¦ô¤~¯à²£¥Í¤ÏÀ³¡A¦ý¶åı¨t²Î·|¦Û°Ê©MµL·NÃѦa³ê°_°O¾Ð¤Î±¡ºü¤ÏÀ³¡C°Ñ¨ÒMarguerite Holloway¡A®ð¨ý¤W¤É(The Ascent of Scent)¡F¥ç°ÑDavid H. Zald & José V. Pardo¡A±¡ºü¡B¶åı©M¤HÃþ§ö¤¯®Ö(Emotion, Olfaction and the Human Amygdala)¡F¹½´c¶åı¨ë¿E´Á¶¡¤§§ö¤¯®Ö¿E¬¡(Amygdala Activation during Aversive Olfactory Stimulation)¡FSuzanne Christiansen¡A§Y±N¨ì¨ÓªºªÚ­»¾Ç®É¥N (The Coming Age of Aroma-Chology)¡AªÎ¨m¡B¤Æ§©«~¡B¯SºØ¤Æ¾Ç«~(1991¦~4¤ë)¡FJean-Prancois Blayn et al., ­»¤ô¤§°ÝÃD¡GÃö©ó­»¤ôÃÀ³N»P³Ð§@¤§½×¤å(Questions de Parfurmerie: Essais Sur l'Art et la Creation en Parfurmerie) (¤Ú¾¤¡GCorpman ª©¥»1988)¡C

 

µù¤G¡G®ð¨ý°O¾Ð³QºÙ¬°´¶¾|´µ¯S°O¾Ð¡A¥H§@®aMarcel Proust(°¨¶ëº¸´¶¾|´µ¯S)¤§¦W¦r©R¦W¡A¥L­º¥ýµû½×¤F¹ï¯S©w®ð¨ý¤§°O¾Ð¦^¾Ð²{¶H¡C°ÑMarcel Proust, Swan¡¦s Way 57¡C